![]() Its setting will always be less than the Matte Density slider. This is normal, all you are looking at in this step is to make the foreground opaque.Īdjust the Noise Removal slider so the background is solid black. The background will go hazy, or show white dust. Slide the Noise Removal slider all the way to the left.Īdjust the Matte Density slider until the foreground is solid white. * Set the Output Type pop-up menu to Matte. * Click the Green Auto Sample button if your background is green, or the Blue Auto Sample button if your background is blue. With your clip selected, and the Primatte RT controls visible in the HUD, make the following changes: If there’s nothing in the HUD, be sure the clip is selected the clip and reapply the filter. Once you apply the filter, the floating gray palette called the HUD should display with a variety of controls in it. This applies the filter to your selected clip. From the pop-up menu, select Keying > Primatte RT. Go to the Toolbar at the top and click the Add Filter button. (Just as in Final Cut, the key interface rule for Motion is to “ Select something, and do something to it.”)Ī thin white bounding box appears around the edges of your clip. Once your clip appears in Motion, select the clip by clicking it once. Once you click OK, Motion starts up and your V2 clip appears in it automatically. (In my case, since I only need this file to write this tutorial, I’m storing it to my Desktop to make it easy to erase.) This file will become a permanent part of this project. In the dialog that follows, give your key a name, and store the file in your FCP Projects folder, along with the other elements you are using for this project. Select the V2 clip and go to File > Send to > Motion project. We’ll use Motion to remove the green background and make it transparent. (In this example, I’m using green screen material – however, the procedure is the same for blue-screen as well.)Īs we will do the final composite in Final Cut, all we need to send to Motion is the top clip. Put your background image on V1 and your green/blue screen image on V2. Let’s get started: Build your key in Final Cut Pro. Here’s a recent article on shooting 24 fps. ![]() Shoot at a higher frame rate, do your keys, then convert the resulting video down to 24 fps for final output. The motion blur it causes is significant and makes keys much tougher to do well. Important note: If you plan to do a lot of green screen work, DON’T shoot in 24 fps. This was shot in DVCPROHD 720p60 and 720p24, using a rented HVX-200 camera. And the results look really nice.įor this tutorial, I’m using some footage of me that I shot for my video podcasts. So, in this exercise, I set myself the goal of showing how to create a great looking key using the combined features in Final Cut Pro and Motion that only requires learning one new keyboard shortcut and one dialog panel. For some, that’s easy, for many others, Motion remains an unknown application. While you can do the entire key in Motion, that would mean that you need to really understand the Motion interface and its tools. Since the keyer in Motion can do some really nice work, I figured it was about time I wrote about how to use it, so here it is. Recently, I went looking in the Editing Library on my website for an article on chroma-keying, only to discover that I have never written on the subject. Is going to get her second implant in July.[ This article was first published in the August, 2008, issue of Obviously all this worked because Annette ![]() "I've sent information concerning CIGNA's Is in the process of gathering information Off the street and called in the ambulance? Like after I gain consciousness in the car, Paramedics got her out of the car and into The trunk came forward into the back seat. ![]() I don't really know how this happened, but It doesn't cover all the cost of the drugs I have a feeling of you bring your problems You don't know what that feels like inside Gonna happen to us because of healthcare, If somebody told me ten years ago this was There are nearly 50 million Americansįine schools like the University of Chicago. Their love with women across this country.Īnd I grabbed it here and it hit a knot. Script-O-Rama afterwards - because reading is good for your noodle. At least you'll have some Sicko quotes (or even a monologue or two) to annoy your coworkers with in the meantime, right? I know, I know, I still need to get the cast names in there and all that jazz, so if you have any corrections, feel free toĭrop me a line. Transcribed using the screenplay and/or viewings of the movie to get the dialogue. This puppy is a transcript that was painstakingly Voila! Finally, the Sicko script is here for all you fans of the Michael Moore documentary. Sicko Script - transcript from the screenplay and/or the Michael Moore documentary Sicko Script - Dialogue Transcript ![]()
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